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Masaaki Suzuki / Bach Collegium Japan - Bach: Hunt Cantata flac album

Masaaki Suzuki / Bach Collegium Japan - Bach: Hunt Cantata flac album

Performer: Masaaki Suzuki / Bach Collegium Japan
Title: Bach: Hunt Cantata
Style: Choral
Duration: 01:14:28
Location: MS&AD Shirakawa Hall, Nagoya, Japan
Relesed: July 24, 2012
Recording date: July, 2011
Rating: 4.8
Votes: 194
Other formats: MOD WAV ASF VQF MPC DMF

MS&AD Shirakawa Hall, Nagoya, Japan. Masaaki Suzuki, Bach Collegium Japan. The two Bach secular cantatas featured both date from early in the composer's career; the Cantata No. 208, "Was mir behagt, is nur die muntre Jagd" (What makes me happy is only the lively hunt), BWV 208, comes from 1713, during Bach's years of service to the Duke of Sachsen-Weissenfels, while the "serenata" Die Zeit, die Tag und.

Bach Collegium Japan is an ensemble consisting of performers of original instruments and choir formed in 1990 by Masaaki Suzuki, the internationally renowned and highly reputed Bach performer, organist, harpsichordist, conductor and musicologist. Bach Collegium Japan performs frequently in Japan and overseas with the aim of presenting ideal interpretations of Baroque music centring on the religious works of .

S. Bach: Secular Cantatas, Vol. 8 (BWV 206, 215). Blu-ray: Gloria in excelsis Deo. Masaaki Suzuki plays Bach Organ Works, Vol. 2. W. A. Mozart: C minor Mass. J. S. Bach – Secular Cantatas, Vol. 7. Stravinsky – Pulcinella Suite. 6 (BWV 198, 53, 1083). The Brandenburg Concertos & Orchestral Suites. A Choral Year with . Bach – Lutheran Masses, Volume 2. Bach – Organ Works. 5: Birthday Cantatas. Bach: Lutheran Masses I. . Bach : Concertos for Two Harpsichords.

Bach Collegium Japan (BCJ) is composed of an orchestra and a chorus specializing in Baroque music, playing on period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque music. Suzuki still remains its music director.

Bach Collegium Japan Vocal Ensemble, Masaaki Suzuki Conductor. CD: 1 Tracks: 20 Length: 43:51. CD 1. Johann Sebastian Bach Composer. Cantata N. : Christ lag in Todesbanden (Easter Sunday), BWV4 Work. Bach Collegium Japan. Bach: Hunt Cantata; Die Zeit, die Tag und Jahre macht.

Bach Collegium Japan. Counter-tenor: Robin Blaze; Tenor: James Gilchrist; Bass: Peter Kooy. Recorded at the Kobe Shoin Women's University Chapel, Japan. As requested – Suzuki volume 21. Piotr Jawrski wrote (May 5, 2003): Peter Bright wrote: < Back to Bach and speaking of Suzuki, I notice that volume 21 of the Cantata series has just been released.

Bach Collegium Japan's deservedly acclaimed project to record all of Bach's cantatas has reached volume 51, which turns out to be an especially vibrant and generously filled collection of sacred occasional works. These sit outside the bulk of Bach's sacred cantatas, not part of the cycles for Sundays and feast days of the church year  . The first cantata on the album, BWV 195, is a joyous trumpet-and-drums affair, written in the last years of Bach's life for what must have been particularly sumptuous wedding celebrations. The orchestra is one of Bach's biggest, including pairs of flutes and oboes as well as three trombones.

Masaaki Suzuki, director of the Bach Collegium Japan and the latest man to pull off the monumental task, seems remarkably relaxed about it when I talk to him the morning after the very last notes have sounded. Perhaps it is because it has been achieved almost by stealth. I didn’t realise then how far we would go, and I certainly didn’t count how many years or how many CDs it would take!’ It can now be confirmed that it has taken 18 years and 55 CDs – a shorter time than Harnoncourt and Leonhardt took over their pioneering cycle (21 years), but longer than Koopman (10 years) and Gardiner (recorded on his Bach Pilgrimage in 2000 but not all finally issued until earlier this year). What is more, it seems to have been accomplished without evident sign of the emotional or financial trauma some of those other cycles endured.

Bach’s orchestral suites, or ‘ouvertures’, with multiple dance movements in the French style, were the precusor to the concerto. If you like period-instrument recordings, this album is a must. These Japanese musicians play with such authenticity that I can almost imagine them in 17th-century costume. Their inspiration comes from founder Masaaki Suzuki, who is currently recording Bach’s complete works for harpsichord.

Track List

Title/Composer Performer Time
1 Sinfonia in F major, BWV 1046a/1 Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 4:03
Was mir behagt, ist nur die muntre Jagd, BWV 208 "Hunt Cantata"
2 1. Recitativo. Was mir behagt, ist nur die muntre Jagd! Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 0:41
3 2. Aria. Jagen ist die Lust der Götter Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 2:14
4 3. Recitativo. Wie? schönste Göttin? wie? Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 1:09
5 4. Aria. Willst du dich nicht mehr ergötzen Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 5:50
6 5. Recitativo. Ich liebe dich zwar noch! Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 2:11
7 6. Recitativo. Ich, der ich sonst ein Gott Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 0:39
8 7. Aria. Ein Fürst ist seines Landes Pan! Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 2:56
9 8. Recitativo. Soll denn der Pales Opfer hier das letzte sein? Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 0:38
10 9. Aria. Schafe können sich weiden Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 4:29
11 10. Recitativo. So stimmt mit ein Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 0:12
12 11. Chorus. Lebe, Sonne dieser Erden Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 2:41
13 12. Duetto. Entzücket uns beide Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 2:00
14 13. Aria. Weil die wollenreichen Herden Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 2:24
15 14. Aria. Ihr Felder und Auen Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 2:44
16 15. Chorus. Ihr lieblichste Blicke, ihr freudige Stunden Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 4:15
Die Zeit, die Tag und Jahre macht, BWV 134a
17 1. Recitativo. Die Zeit, die Tag und Jahre macht Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 0:36
18 2. Aria. Auf, Sterbliche, lasset ein Jauchzen ertönen Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 5:55
19 3. Recitativo. So bald, als dir sie Sternen hold Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 2:24
20 4. Aria. Es streiten, es siegen die künftigen Zeiten Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 8:17
21 5. Recitativo. Bedenke nur, beglücktes Land Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 2:59
22 6. Aria. Der Zeiten Herr hat viel vergnügte Stunden Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 5:27
23 7. Recitativo. Hilf, Höchster, hilf Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 1:54
24 8. Chorus. Ergetzet auf Erden Johann Sebastian Bach Bach Collegium Japan / Masaaki Suzuki 7:50

Credits

Bach Collegium Japan - Choir/Chorus, Orchestra, Primary Artist
Johann Sebastian Bach - Composer
Robert von Bahr - Executive Producer
Andrew Barnett - Layout, Liner Note Translation, Typesetting
Marco Borggreve - Photography
Benjamin Ealovega - Photography
Salomon Franck - Text
Jan Baptiste Govaerts - Cover Painting
Damien Guillon - Alto (Vocals)
Akimi Hayashi - Tuning
Klaus Hofmann - Liner Notes
Christian Friedrich Hunold - Text
Sophie Junker - Soprano (Vocal)
Anna Lamberti - Liner Note Translation
Joanne Lunn - Soprano (Vocal)
Sebastian Pepinster - Photography
Andrew Redpath - Photography
Andreas Ruge - Editing, Producer
Makoto Sakurada - Tenor (Vocal)
Matthias Spitzbarth - Engineer, Mixing
Masaaki Suzuki - Conductor, Liner Notes, Primary Artist
Jean-Pascal Vachon - Liner Note Translation
Roderick Williams - Baritone (Vocal)
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