Mozart: Violin Concerto, K219; Symphony No. 35 "Haffner"; Haydn: Symphony No. 92 "Oxford".
Haydn – Symphony n. 2 in G major Oxford. CD 4: Haydn – Symphony n. in A major, o. 0 Italian. Hindemith – Symphonic Metamorphoses on Themes of Carl Maria von Weber. R Strauss – Till Eulenspiegels lustige Streiche, o. 8. Mozart – Violin Concerto n. in A major, K219 Turkish (Isaac Stern, violin). in G major, K216 (Isaac Stern, violin) Mozart – Violin Sonata in F major, K376 (Rafael Druian, violin; George Szell, piano). Mozart – Violin Sonata in G major, K301/293a (Rafael Druian, violin; George Szell, piano). Mozart – Violin Sonata in E minor, K304/300c (Rafael Druian, violin; George Szell, piano).
Complete your George Szell, The Cleveland Orchestra, Mozart, Haydn collection.
Symphony No. 35 in D major, K. 385, was composed by Wolfgang Amadeus Mozart in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of the ennoblement of Sigmund Haffner the Younger. The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.
A landmark in the Haydn discography, and a cornerstone of any serious Haydn symphony collection" (ClassicsToday). The new set brings together a body of Mozart interpretations that "stand the test of time.
Piano Concerto no. 5 "Emperor", Piano concerto no. HNH, 1988. Mozart : Symphony no. 35 "Haffner"; nos. 34 and 29 Bratislava : Nax msica orquestalAdquisicin. 38 "Prague"; nos. 29 and 30 Bratislava : Nax msica orquestalAdquisicin. 81 ; Concierto para piano no. 2 en Estantera 3 (Iz. E), Columna B Variaciones sobre un tema de Haydn, Op. 56a ; Sinfona no. 2 en Re mayo Estantera 3 (Iz.
Symphony n. 2 in G major (Oxford) - III. Menuetto. Symphony n. 2 in G major (Oxford) - II. Adagio cantible. 2 in G major (Oxford) - I. Adagio - Allegro spiritoso. Symphony No. 385 "Haffner": IV. Presto.
Even Glenn Gould, who was quite capable of fashioning brilliant cadenzas of his own, as we know from his incomparable recording of Beethoven's First Piano Concerto, chose Hummel's firstmovement cadenza when he recorded Mozart's C-Minor Concerto, K. 491 (Beethoven: Columbia Symphony Orchestra/ Vladimir Golschmann, (Columbia .