Ghost in the Machine is the fourth studio album by English rock band The Police. The album was originally released on 2 October 1981 by A&M. The songs were recorded between January and September 1981 during sessions that took place at AIR Studios in Montserrat and Le Studio in Quebec, assisted by record producer Hugh Padgham. The album reached No. 1 in the UK Albums Chart and No. 2 in the .
KBPS stands for kilobits per second and the number of KBPS represents the audio quality of the MP3s. Here's the range of quality: 128 kbps good, 192 kbps great, 256 kbps awesome and 320 kbps perfect. Embrace Maxi-single 2001. 1. The Discovery of Mary Kelly.
Publishing: A1 to B1, B3, B5 - Published by Virgin Music, Inc. Administered in the . by Chappell Music Co. (ASCAP) B2: Published by Virgin Music Inc. (ASCAP)/Reggatta Music/Illegal Music, Inc. (BMI) B4, B6: Reggatta Music/Illegal Music, Inc. (BMI).
For their fourth album, 1981's Ghost in the Machine, the Police had streamlined their sound to focus more on their pop side and less on their trademark reggae-rock. Their jazz influence had become more prominent, as evidenced by the appearance of saxophones on several tracks. The production has more of a contemporary '80s sound to it (courtesy of Hugh Padgham, who took over for Nigel Gray), and Sting proved once and for all to be a master of the pop songwriting format.
Alternative Metal Ghost Machine. 12. God Forbid (Remix). Other productions from Ghost Machine. Albums in Alternative Metal. The Butcher's Ballroom. Diablo Swing Orchestra. Welcome to the Real World. Holding on to Strings Better Left to Fray.
Ghost Machine is the self-titled debut album by the five-piece music group Ghost Machine. The album was released on July 26, 2005 via the band's own label Black Blood Records. The album contains a total of 13 core tracks. There are parts on the album that are silent spaces 4 seconds in length. There are 7 tracks all of which are 11 seconds in length and feature the same random noises
Frank Nitzinsky and Nils van Lingen’s Ghost in the Machine project started out as little more than a name used when playing oldschool acid sets.
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Crucially, though, Ghost In The Machine also paraded a trio of the band’s most enduring singles