CD - Madacy Distribution, Madacy. Oh good grief, is this really The Best of Bob Marley & the Wailers? Certainly fans of the group's fabulous work at Studio One might beg to differ, while those who prefer the band's internationally renowned roots sounds of the Exodus era would also disagree. So let's append that Best Of title with the explanatory "in the Early Reggae Age," to better appreciate just what's on offer here. What this compilation actually features is a lavish roundup of the Wailers' post-Studio One, pre-Island work
Bob Marley, Selección 5 Estrellas Black.
Most of Bob Marley's early music was recorded with Peter Tosh and Bunny Wailer, who together with Marley were the most prominent members of The Wailers. In 1972, The Wailers had their first hit outside Jamaica when Johnny Nash covered their song "Stir It Up", which became a . hit. The 1973 album Catch a Fire was released worldwide, and sold well. It was followed by Burnin', which included the song "I Shot the Sheriff", of which a cover version by Eric Clapton became a hit in 1974.
Written-By – Bob Marley. 2-7. Lively Up Yourself. Written-By – Bob Marley. 2-8. Soul Shakedown Party. Published By – Isalee Music. Published By – Island Logic Ltd. Published By – PolyGram International, Inc.
Bob Marley & the Wailers. Авторы текста и музыки. UMG, INgrooves (от лица компании "Tuff Gong International Limited"); UMPI, AMRA, Kobalt Music Publishing, LatinAutor" и другие авторские общества (17).
Famous As. Reggae singer. Nine Miles, Saint Ann, Jamaica. Bob Marley Album Discography. Exodus 40. Tuff Gong.
Bob Marley & The Wailers – Rastaman Vibration. After the long years of cult-hero status, Rastaman Vibration brought Bob Marley and the Wailers chart success at last. Released on 30 April 1976 it became the band’s first, and indeed only album to reach the US Top 10 (apart from the posthumous compilation, Legend) and made similar inroads into the UK chart, where it reached N. 5. And yet for all its commercial appeal and philosophical vigour, Rastaman Vibration was an album that delivered surprisingly few Marley classics and which got squeezed, creatively speaking, between the monumental achievements of Live! (1975) and Exodus (1977).