» » Friedemann Wezel - Mendelssohn: Konzert für Violine d-Moll; Oktett, Op. 20
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Friedemann Wezel - Mendelssohn: Konzert für Violine d-Moll; Oktett, Op. 20 flac album

Friedemann Wezel - Mendelssohn: Konzert für Violine d-Moll; Oktett, Op. 20 flac album

Performer: Friedemann Wezel
Title: Mendelssohn: Konzert für Violine d-Moll; Oktett, Op. 20
Style: Concerto,Chamber Music
Relesed: 2002
Rating: 4.7
Votes: 560
Other formats: MP2 AHX TTA APE VOC DXD

full condensed blue highlight denotes album pick. Mendelssohn: Konzert für Violine d-Moll; Oktett, Op. 20.

Mozart: Frühe Konzerte; Haydn: Frühe Sinfonien. Primary Artist, Conductor, Violin. Friedemann Wezel. Arias & Cantatas.

3rd Movement: Allegretto Non Troppo - Allegro Molto Vivace. Konzert Für Violine Und Orchester Nr. 2 D-Moll Op. 22. B1. 1st Movement: Allegro Moderato. B2. 2nd Movement: Romance: Andante Non Troppo.

Mendelssohn F. - Concerto In E Minor O. 4 (1845) - Violon and Piano Violin and Piano Barenreiter.

Listen online to Felix Mendelssohn - Konzert für Klavier und Orchestern Nr. 2. d-moll, Op. 40: III. Finale, Presto scherzando and see which albums it appears on. Scrobble songs and get recommendations on other tracks and artists. Showing albums featuring Konzert für Klavier und Orchestern Nr. Finale, Presto scherzando.

Concerto pour piano nº 1 de Mendelssohn; Piano Concerto No. 1; Pianokonsertto nro 1 (Mendelssohn); 1. Klavierkonzert; ピアノ協奏曲第1番 (メンデルスゾーン); Concierto para piano . 1 (Mendelssohn); Piano Concerto số 1. Name Aliases. Klavierkonzert Nr. 1; Klavierkonzert g-Moll; Klavierkonzert in g-Moll; Piano Concerto No. 1 in G Minor, Op. 25. Authorities. Opus/Catalogue NumberOp. No. Op 25. I-Catalogue NumberI-Cat.

Felix Mendelssohn's Octet in E-flat major, Op. 20, was composed in the autumn of 1825 and completed on October 15, when the composer was 16. He wrote the octet as a birthday gift for his friend and violin teacher Eduard Ritz; it was slightly revised in 1832 before the first public performance on 30 January 1836 at the Leipzig Gewandhaus. Conrad Wilson summarizes much of its reception ever since: "Its youthful verve, brilliance and perfection make it one of the miracles of nineteenth-century music.

Credits

Friedemann Wezel - Primary Artist
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