"Rameau made extensive revisions (mainly cuts) in 1754"- Staines, "The Rough Guide to Classical Music"- to quote one of only many sources, of course; consider too Charles William Dill's 1989 dissertation for Princeton University, The reception of Rameau's Castor et Pollux in 1737 and 1754. php?title Castor et Pollux, RCT 32 (Rameau, Jean-Philippe)&oldid 2810983.
BPM Profile Rameau: Castor et Pollux. Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Jean-Philippe Rameau. Le grand theatre de l'amour. The Complete Harpsichord Works of Rameau. Les Indes Galantes, Castor et Pollux: Suiten.
Animated Dignified/Noble Dramatic Elegant Graceful Melancholy Plaintive Poignant Tragic. Concentus Musicus Wien, Nikolaus Harnoncourt. Rameau: Castor et Pollux.
Album · 2008 · 27 Songs. By Jean-Philippe Rameau. 11. Castor Et Pollux Suite: Ouverture. 12. Castor Et Pollux Suite, Act I: Menuet I. 1:02. 13. Castor Et Pollux Suite, Act I: Tambourin. 14. Castor Et Pollux Suite, Act I: Menuet II. 1:17. 15. Castor Et Pollux Suite, Act I: Tambourin (da Capo). 16. Castor Et Pollux Suite, Act II: Prelude. 17. Castor Et Pollux Suite, Act II: Air Des Athletes III. 1:10. 18. Castor Et Pollux Suite, Act II: Air Pour Hebe Et Ses Suivantes - Sarabande. 19. Castor Et Pollux Suite, Act III: Air Des Demons II. 1:16. 20. Castor Et Pollux Suite, Act IV: Loure.
Rameau: Castor Et Pollux - Passepied 1 & 2 (Juilliard415). 5 years ago 5 years ago. Early Music.
Castor et Pollux (Castor and Pollux) is an opera by Jean-Philippe Rameau, first performed on 24 October 1737 by the Académie royale de musique at its theatre in the Palais-Royal in Paris. The librettist was Bernard, whose reputation as a salon poet it made. This was the third opera by Rameau and his second in the form of the tragédie en musique (if the lost Samson is discounted). Rameau made substantial cuts, alterations and added new material to the opera for its revival in 1754. Experts still dispute which of the two versions is superior. Charles Dill proposes that Rameau had composed the 1737 opera just after working with Voltaire on the opera "Samson" that was never completed, after which he composed "Castor et Pollux" implementing Voltaire's aesthetics.
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